Friday, March 30, 2012

Draeco

Twitter @draeco






Bio: Draeco, born in Lagrange, GA, found his love for music at an early age accrediting the two cities that raised him (LaGrange & Atlanta). Starting out with just singing along to the radio, his talent emerged when he first started writing his own lyrics to instrumentals found on cassette singles. A talent for rapping, singing and songwriting, led him into realizing this was what he was made for. Entering talent shows he would outshine the competition with remarks from judges like, "Not only is he very talented, he has the look of a superstar". He would later go on to open shows for such acts as Da Organization, Dru Hill, 702, Silk and opened up for Young Dro in 2011. In 2005 he signed a rap deal with Major Boy Records out of Houston, TX. Due to differences in business directions they eventually parted ways. Since then Draeco has been making hits and keeping the people waiting for his next song. Recently he has been featured on several sites and mixtapes, and has been in rotation on several internet radio stations. Mixtapes he has been featured on include Elegant Hoodness vol.1, Tornado Warning: In Due Time, All Star Game: New Money vs. New Problems, The Indie Top 50 volumes 47, 48, and 69. He was also the featured artist of The Indie Top 50 vol. 26 mixtape. Draeco’s own mixtapes include Demolition Man(2007), Hotter Than Hell(2010), and To Whom It May Concern (2012). Draeco was also had an interview placed in an issue of Coast 2 Coast Magazine. As they would say, "Your better every song". So pay attention as Draeco gives u music that everyone enjoys! 

ROSS KEEPS HIS NAME







Rapper Rick Ross can stop looking for other rap names because a judge has ruled he can keep his stage name after former drug dealer “Freeway” Rick Ross filed suit claming ownership of the name and saying rapper Rick Ross has basically stolen his identity because everything he raps about is not his real life it’s actually the life of “Freeway” Rick Ross. Confused yet?? Anyhoo I guess a judge didn’t care he ruled in rapper Rick Ross’s favor. “Freeway” Rick Ross tells TMZ “I got hit in the stomach today … I feel s**tty.” Rick(rapper) had nine high profile attorneys and I had three volunteer non-high profile attorneys. I had no money to get the big name lawyers so I couldn’t go in there with a monster team like him. The world knows the truth … that [Rick] stole my identity and shame on him that he won’t give it back. I hope to appeal this because you shouldn’t be allowed to steal someone’s identity.





Monday, March 19, 2012

THINGS U MIGHT DIDN'T KNOW ABOUT JAY-Z



He Watches Every YouTube Rapper

Young Guru: “Jay-Z has probably watched every SMACK DVD, Grind Time battle, freestyle, and every battle that has ever been on YouTube. If you ever battle in any situation that has any remote type of promotion, he’s seen it. He calls me like, ‘Please come watch this battle.’ Jay watches all of them. I mean all of them. Every battle that has ever been on.
“Jay watches these dudes freestyle on YouTube. Like, if you’re a battle MC from Philly, you may not have been in a battle but you just get on YouTube and start rapping, Jay watches those religiously. It’s just the weirdest thing in the world but he really loves it to the point where I’m like, ‘Yo, turn it off.’”

Him and Beyoncé Leave Restaurants Separately

Young Guru: “Jay doesn’t lust for the limelight. He ain’t want all this nonsense of having to leave restaurants at a different time than [Beyoncé] because [the paparazzi] get more money if they snap both of them together. That’s so corny. He just wants to go and eat but he’s gotta think about dumb shit like that now. They can’t walk out the restaurant together. How dumb is that? But it’s reality.”

He’s Nice At Basketball

Young Guru: “[When we were recording The Blueprint 3] Kanye was like, ‘I just bought the crib in Hawaii. Come through, I’ll have the cook cook for us and we’ll go run ball before we hit the studio.’ We get up, me and Jay go over there, we eat breakfast, Kanye’s showing us this nice new crib, and then we go out and play ball.
“It wasn’t even like we shut down or rented a whole gym. We just rode around, found an outside court at some kid’s school, and we played ball. The kids looked outside and was like, ‘Oh shit that’s Kanye and Jay-Z playing ball on our court.’ We all went out and had a nice little exercise.
“Jay is absolutely nice at ball. He’s got a nice 12-foot jumper. He knows the game. He’s smart about the game. For Kanye and them it’s more exercise; they’re not ballers. 
I came from playing ball; I played ball in high school and college. For me, it’s like I’m super out of shape but I can’t let Kanye and Don C. beat me in basketball. I gotta use what I know to win the game. But that game was more about getting together and brotherhood thing.”


Jay Lets Young Guru Keep All His Music

Young Guru: “That’s part of where my job extends beyond normal engineering because once Jay got comfortable with me, it was more than ‘Record and mix my albums.’ It became ‘Oversee my music.’ That means, I hold it all.
 Jay doesn’t want any of his music on any other drives but my hard drive. If it leaks, it’s on me.
“First of all, Jay doesn’t want any of his music on any other drives but my hard drive. If it leaks, it’s on me. For Jay, it’s safer to have me as his central base versus it being scattered all over the city.
“Whether I mix them or not, I gather all the mixes. If Timbaland’s guy mixed this and Pharrell mixed this, I got all the mixes. I go present all the mixes to our mastering guy. I sit with the mastering guy doing the tweeks and EQing, doing the spacing in-between the records, all of that stuff. And we put the whole album together.
“If CBS is putting ‘Heart of the City’ in the beginning of some cop show, they’ll come to me and be like, ‘Can I get the instrumental TV track?’ because they know I hold everything. If he’s in Rocawear and we need a voice-over, call Guru. It’s those type things.
“That all falls into my responsibility. It’s gone beyond the normal thing. It’s become a gig to take care of Jay-Z’s musical world.”

His Adlibs Are Live

Young Guru: “If you hear Jay-Z say, ‘Guru, tell that girl open that Ace’ or ‘Turn the lights down,’ on a song, he’s really talking [to people in the studio]. Like on Scarface’s ‘Guess Who’s Back,’ when he’s talking in the beginning and he’s like, ‘Gu turn my headphones down, my headphones distorting,’ that’s all real.”

He Does One Take Because He Memorizes His Raps

Young Guru: “Jay memorizes his raps before he gets in the booth. That’s all it is. Too many MCs write their raps in the booth. Jay [doesn’t write his rhymes] down, but he memorizes and says the rap 50,000 times before he even thinks about stepping in the booth.
I tell everybody, you can write your records at home, you can write your records in a car, you can write your rhymes anywhere. You shouldn’t be spending $150 an hour to be writing a song. The studio is to record music.
“By the time he steps in the booth, he’s said it so many times he already memorized the record and he’s been so particular about the bounce and the flow that it’s not hard for him to do it in one take.
“He writes and critiques his records more than any other MC that I’ve ever seen and goes line for line: ‘Is this too complicated or not complicated enough? Am I over-rapping it? Am I not giving them enough tricks?’
“All while we’re out here kicking it, smoking, doing whatever we’re doing, he’s saying to you, ‘This is the record. This is what I’m gonna say Gu,’ and he says it 80,000 times. When he taps you and goes, ‘Yo, I’m ready,’ he’s really ready.
“It saves so much time. It’s about memorizing your raps. I tell everybody, you can write your records at home, you can write your records in a car, you can write your rhymes anywhere. You shouldn’t be spending $150 an hour to be writing a song. The studio is to record music.”

He Occasionally Needs To “Download” His Rhymes

Young Guru: “Jay writes in his head, so we have times where he goes, ‘I need to download.’ He doesn’t call it that, but that’s what I call it. There’s so much stuff in his head that sometimes he just raps to a hi-hat or to a click or to nothing because he’s writing songs and he needs to remember them so he’ll record them. So it’s like, take that out the brain until I need it again. I can put it back in there when I need to say it.
“After we got home from the Watch the Throne tour, Jay was writing and when the New Year started not only did we knock out the song ‘Glory’ for Blue Ivy Carter, but it’s just like, ‘Okay, download. Just put up any beat or give me a click and let me just say these raps so I can just have them. I need to get them out of my mind because I’ve been holding them for two months.’ He does that a lot. He just started going in and it’s like every other day we’d end up with new records.”




It Was Kanye’s Idea To Do “D.O.A.”

Young Guru: “[While recording Blueprint 3, we were in the studio talking] and that turned out to be a two-hour conversation about what’s going on in hip-hop and what we need to be doing.
"Soulja Boy’s record was popping at the time. He becomes the antithesis to what we’re talking about, so we’re referencing him. We’re not saying Soulja Boy is wack but we’re like, ‘Jay is 40. This is what’s going on in hip-hop right now. We can’t do this.’
“That’s how ‘D.O.A.’ came about because Kanye was getting on his rant. People think Jay did that, but Kanye was the person that told him to do that. Kanye was like, ‘No, Jay, you’re 40-something, you need to be the anti to all this other shit that’s going on. You need to be like, ‘No, fuck Auto-Tune and all of that.’”


He Purposefully Fell Back On Watch The Throne

Young Guru: “Watch the Throne, that was Jay’s way of going, ‘Here, here’s the whole project for you to do. I’m gonna fall back and just interject my lines and here and there.’ The concept of that album was wholly directed by Kanye. That’s probably the first time that Jay ever did that but it was on purpose.
“Jay has been wanting to put people out, like, ‘Here, I’m giving you your start.’ But he’s not gonna do the groundwork for you, he’s not gonna run around and make the meetings for you. You’re gonna have to do all that yourself.
“Kanye was the first person that took it, ran with it, and it’s outside of Jay. He loves that so it’s a thing of where now we can both share this responsibility of being hot.
“With Watch the Throne, Kanye put his foot in it. He definitely brought a new style, pushed Jay in terms of styling and where they wanted to go. I think he also just hit the nail on the head by accepting tracks from outside producers that he found was hot.
“Between that and the visual presentation—Kanye is super visual, so having the two stages with the things rising up and down and the lights is Kanye’s vision. When it came to the tour, Jay was like, ‘Nah Guru, let they camp do it.’
“I think that’s why Jay allowed him to do that—and it also allows him to fall back a little bit and have a baby. [Laughs.]”

Jay's Already Working On His Next Album...

Young Guru: “There are maybe four songs so far and most of them are spill over. I don’t wanna say spill-over like they’re throw-aways from Watch The Throne. It’s an incredible beat coming on and Jay being like, ‘No that’s for my album. Hold that one, it’s for me.’ So the ones that were made so far, the beats were made during the Watch The Throne time.
“Now we’re adding on to it, but we haven’t gone back in. We had all this touring stuff. It was the end of the year and we were doing shows. Then the baby came. We literally went in to do the song for Blue Ivy and he hasn’t been back since. He’s definitely enjoying daddy mode right now.”







Thursday, March 15, 2012

Saturday, March 10, 2012

GO 2 ITUNES.COM & AMAZON.COM ::: B-EZ THE GIFT "PURP TALK" ALBUM


TWITTER - BEZTHEGIFT










TWITTER - @LamboLoft

Check Out @Lambo Loft

GREENHOUZE TV - EMERALD SYNDICATE



                                           "TALK OF THE TOWN"
   
                            


"MOTTO" REMIX

Rack City Remix

                Rack City Remix feat: Fabolous, Young Jeezy, T.I., Meek Mill & Wale





New Jeezy "Leave You Alone"


                                    YOUNG JEEZY "Leave You Alone"




Wednesday, March 7, 2012

YOUNG NARD - Next 2 Blow



Introducing Young Nard
Growing up in an all girl household, 4 sisters and a single mother, Young Nard always turned to the men in music for male advice and guidance. From Michael Jackson, Kid and Play, and LL Cool J, to Tupac and Biggie, these artists made an impact in people's lives one way or another through their words and positive life styles. These artists showed young men that there is a better life out there if you work hard for it. As a young man without a father life was not easy and to make ends meet he would do what ever it took to help mom keep a roof over their head and clothes on their back. Raised by the streets of Florida, Young Nard is no stranger to the violence, drugs, and 'rough' life that rappers often talk about in their music.  


Since 2000 Nard has been interned, so to speak, by various music engineers, labels, and groups, schooling him on the entertainment industry. However, it wasn't until 2004 after the death of his best friend Steven Lucas, that he decided he was going to get off the streets and make this music thing work.  Nard started to write and perform as if his very life depended on it. His music painted the stories he lived on a daily basis, from his days grinding, to the nights he spent alone thinking about the friend he watched die before his very eyes.
 With a music career in his path and the street life behind him Young Nard branched out and soon had a promotion team in Tallahassee. Elevated Entertainment's owner, Chad Chevalier, took him under his wing and taught Young Nard the business, from making money legally, by throwing parties, to expanding his contacts list by networking.   Soon after, Young Nard says "I was ready for what the game had to offer". With new skills and training in the game, a larger network and a solid music career in the making Young Nard ventured back to Palm Beach FL, where personal affairs made him push even harder to succeed. He linked up with producer/ghost writer Keith "Dat Boi Keith" Chambers who mentored him and helped him polish his lyrical skills. 2007 was a great year for Young Nard.  He made the decision to change his life for the better, and was making great progress in preparing for the new road ahead.

After almost a year of grinding and trying to find a good team to work with Young Nard turned to the people he knew from the start.   In the spring of 2008 he was the newest and hottest addition to Power Money Property Records. Owner Doc Dollaz and producer Dirty MF Boy turned Young Nard into one of the hungriest artists in the game. He had been working on quite a bit of Solo projects until one day he wrote the hit record"First Friday" & "Rollin Smokin"   After those tracks Young Nard did quite a few features with the Youngstunnaz, which earned his music the title of second most features on the record label's project "MC-Masters Of Ceremonies".  The album also included Young Nard's solo hit "FIRST FRIDAY" feat. Keke J.  His first club performances and major opportunities came with The YoungStunnaz.  The group performed at major clubs in Florida such as Voodoo Lounge, Premier, Poolside, Nocturnal, and Club Star Night.  The group soon had a large following and was introduced to the state of Florida, performing from Tallahassee to Miami.   
 With an already solidified audience, a number of features on his record label's mixtape, and a performance history both with the YoungStunnaz and as a solo act, Young Nard is finally realizing the dreams and goals he had been setting in his mind that sad day in 2004.  Through networking and 'putting in work' Young Nard linked with Dj Beni Boom (Cool Runnings/ Hittman Dj/Strong Arm),  Dj Dirtdawg (From Dollaz And Dealz,Street Connect Djs), and Dj 1Attomic (Atomic Storm Dj) to do his solo Mixtapes. Today Nard is in the studio working on singles for his upcoming solo album "The Patient Struggle" and his mixtapes,"Club Life","BrowNard County" and "Tha Dirty's Advocate."  He is performing his latest single "First Friday" all over south Florida, and keeping up with the press doing online interviews with hot websites such as partyspree.com, www.WhozNext.Biz , Krank It Up Magazine, Nine 5 Four Magazine, And 561 Magazine and accepting guest invitations from widely known radio stations such as X102.3 in (West Palm Beach), Power 96 (Miami) and 89.1 The Streets FM (Miami), 90.5 (Tallahassee), And 107.9 Hot ATL (Atlanta, Georgia).    
 
 Young Nard would like his fans to know "my Influences came from a number of people and rappers such as my producer Drity Mf Boy. My biggest influences in the rap game would have to be T.I., Lil Wayne, Lil Boosie, Joe Budden, Mystikal, and Shawn Jay from Field Mob.  I want to sell out crowds, but not just any crowd, I want black, white, Spanish, Asian, etc. in the same building, from hoods, to suburbs all having fun. I want to touch the heart of kids who have a rough life and need somebody to turn to when they have a bad day, and I want people to feel positive and motivated to keep pushing for a better life.  I want to do movies, books, games, the works.  I want it all or nothing.  I would love to have the state of Florida behind me, to walk into any hood and everyone know that when I come through it's all love!  That's what I want."